This film is reminiscent of Alfred Hitchcock’s < Rear Window > (1954). In the film, the camera is securely mounted on a tripod, while the person obser
This film is reminiscent of Alfred Hitchcock’s < Rear Window > (1954). In the film, the camera is securely mounted on a tripod, while the person observing through the lens is on a broken chair. Similarly, the anxiety we feel from losing the dominant position maintained through the telephoto-lens is greater than the anxiety we experience while watching scenes of impulse and murd...
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